June 3, 2015

During my recent trip to New York I was fortunate enough to meet Linda Fargo and David Hoey, both superstars in the high-end fashion world and creative directors of Bergdorf Goodman. Time magazine describes Linda Fargo as, “The stylish gatekeeper of America’s most luxurious store.” It was a big thrill for me as I have been following her work for many years and I was star-struck when I coincidently met her at the store during my trip to meet with the Cosentino Design Development team. It happened one afternoon when I was with one of my colleagues, architect and furniture designer, Daniel Germani of Daniel Germani Designs. The Cosentino team had asked each trendspotter where we want to be interviewed for the launch of the Cosentino Trendspotting program. I suggested in front of the Bergdorf Goodman windows.  When we arrived to my delight I spotted Linda Fargo's eye-catching short gray bob and she was with Donald Robertson, artist and Instagram sensation.  She was speaking with him about the windows that he created as he is the guest artist for the current windows on display. Daniel encouraged me to strike up a conversation with Linda and before I knew it, we were discussing my part in the Silestone Trendspotters program and the idea of the Cultural Mosaic in Toronto. Here are some of the pictures. 

With Linda Fargo and Donald Robertson.

Standing in front of Donald Roberton's work of art.

 

We were later joined by David Hoey. Here he is with Donald Robertson and myself in front of the Bergdorf Goodman shop window displaying Donald's work of art. 

Left: David Hoey, Donald Robertson and I.                                   Right: Donald Robertson and David Hoey at work. 

Check out the video showing the installation of Donald's windows in action.

 

I love the Bergdorf Goodman windows because they appeal to my love of fantasy, abundance, and whimsy and there is always a hand made quality to the display that harkens back to another time. They evoke magic and fantasy because they appear so out-of-this-world. Here is a collection of the holiday windows displayed in 2014.  Each window is based on a major art form including: Architecture, Theatre, Art and Music. 

 Architecture                                                                                         Theatre

Art                                                                                                 Music

 

(images courtesy of www.blog.bergdorgoodman.com)

Link to blog: http://blog.bergdorfgoodman.com/windows/holiday-windows-2014-inspired#ad-image-1 

 

You can see the making of the architecture-themed window in this short video clip, “Making Bergdorf Goodman Holiday Windows in 2014.” It looks behind the scenes of the creation of a Bergdorf Goodman window and how much detail, artistry and ‘magic’ is involved in the process. One of the artists working on the architecture theme window describes the beauty of the Bergdorf Windows as like, “a fantasy that exists within the same time space we are in, and you can walk by on 5th Avenue and be utterly transported to a complete other place. It’s magic. ” 

Also, one of my favourite books is “Window from Bergdorf Goodman: Dreams Through the Glass,” which features Linda Fargo’s portfolio of magical and enchanting windows. In this book Linda likens New York as the “City of Windows,” just as Paris is the “City of Lights.”  

 

Linda’s final words written in the introduction of the book sums up the vision and idea of the City of Windows; “After all, these sidewalk shadow boxes provide the opportunity to play on the stage of world-class theatre in a world-class city. It’s a chance to cause a sensation, to honour imagination and create something that might be remembered in the mind’s eye, like a particularly vivid dream recalled from a good night’s sleep.” 

I am thrilled to have met three compelling and inspiring art figures in New York City and I feel their influence will only propel me to continue to develop the artistry and beauty in my own work. 

 

Posted
AuthorTheresa Casey

May 26, 2015

I am just back from an amazing trip to New York and I must say:  “the thrill has not gone!”  Even though I am probably in New York at least several times a year the city continues to excite me.  For this trip, I was invited by Spain’s Marble and Quartz Company Cosentino to be to be part of their 2015 Trendspotters Team.  Five other interior designer/architects and I, will be working with the Cosentino Design Development team to spot trends and look at developing new products and provide insights into the industry.  See below the fabulous group at Cosentino’s Kips Bay Kitchen:

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Christopher Kennedy (Palm Springs, CA); Drew McGukin (New York); Theresa Casey (Toronto); Steffany Hollingsowrth, ASID, NCIDQ (Santa Fe, NM); Denise McGaha (Dallas TX); Cheryl Kees Clendenon (Pensacola, FL). Photo courtesy of Jack Lane. 

Some of the highlights of the trip was meeting with the group to hear each person’s take on their local trends and style.  Then off to Hearst Publication’s Group to meet with Editor-in-Chief Newall Turner regarding the current and future world of design publications in print and on-line.  This leader of Elle Décor, House Beautiful and Veranda charmed us with his Southern down-home point of view and also intrigued me by telling us that they hope re-launch of Metropolitan Home as a collectors item magazine.  I can’t wait!  Our other big event was the Kips Bay Decorator Showcase House - started in 1973, the house benefits the Kips Bay Boys & Girls Club and Cosentino was the lead sponsor and provided the countertops for Christoper Peacock’s stunning custom kitchen.  I have admired Peacock’s work, especially his attention to detail and his custom hardware for years, so it was great to meet this unassuming man and talk about our shared passions. Touring the house was great fun, not least of which to see how beautifully all the guests were dressed and to meet the Canadian designer Philip Mitchael who wowed by installing 250 pieces of his personal art collection up the five flights of stairs salon style.

An amazing start to what promises to be a fruitful and exciting year ahead.  Here are some of my pics from wandering around the city:

Left: Love this amazing metal work I saw on my first walk north of the Meatpacking District!

Right: The new Whitney Museum Stairwell designed by Renzo Piano.

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On the left, Isamo Nuguchi “Paris Abstractions" 1927, opaque watercolours - pen and ink and graphite pencil on paper at the Whitney Museum. 

Left: Bergdorf Goodman:  furniture from the 30's decorating the men's department.

Right: Bergdorf's again - in the ladies handbags I noticed this gorgeous lamp that reminds me of Barovier Toso from Italy and well could be!

Left: Kips Bay Detail.  Saw these wallpaper covered books on a shelf.  My inner craftsperson wants to do this!  

Right:  At the end of every day exploring, you need a sweet treat.  My latest favourite is a french cafe at Lincoln Centre.  Yum Yum.  

Posted
AuthorTheresa Casey

March 06, 2015

At the Granada airport I'm waiting to taxi off to London with some quiet time to reflect.  I am just wrapping up an inspired and exciting trip to Spain, care of marble and quartz company Cosentino.  This trip was a much needed breath of fresh air and an opportunity to take in new surroundings, connect with peers and get an in depth understanding of our host's products and philosophy.  It also allowed me to develop a personal relationship with Cosentino, and to discuss some exciting work opportunities which I will be unveiling soon.  Here are the highlights:

We started in Barcelona, home to two of my favourite buildings in the world:  Antoni Gaudi's 1910 Sagrada Familia and Mies van der Rohe's 1929 Barcelona Pavilion. They could not be further apart in temperament:  the Catalan, Gaudi's work is emotional and nature inspired, while the German Van der Rohe is precise, controlled, disciplined and intellectual.  Although these  buildings were designed with different points of view at different times, they both created a feeling of calm and a clarity that returns to me when I think of them.  I find it fascinating that the same creative process produces such a similar emotion in me while the visual result is seemingly so different.  Both architects are brilliant in their attention to detail, and both buildings are listed as world heritage sites.  Since I only had one day, these were my two choices in a city of so many appealing selections.

Mies van der Rohe's 1929 Barcelona Pavilion and Antoni Gaudi's 1910 Sagrada Familia 

After seeing Gaudi and Van der Rohe Masterpieces we had lunch at this restaurant in the Catalan History Museum.

Next we were off to the Andalusian mountain range to view the Cosentino marble quarry.  This family-owned company has been in that region of Spain since the 1940's and is today one of the world's largest manufacturers of marble, granite and quartz.  I felt like the child who never thought about where vegetables come from and is shown a vegetable patch when we were shown the enormous valleys where the large machinery hacks off huge chunks of marble block.  The blocks are taken to the warehouse to be cut down and finished, and made ready for fireplaces, kitchens, bathrooms and furniture.  A new product exclusive to Cosentino called Dekton will be ground-breaking in the industry, as it is the first quartz material that can be installed outside - either in the hottest climates or the coldest, like Canada.

Cosentino offices and manufacturing plant.

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Cosentino marble quarry.

Cosentino Quartz Sinks

We ended our trip in Granada the home of the Moorish masterpiece the Alhambra.  Built between 1238 and 1358, it is considered the finest example of Moorish architecture in the western world. We spent a very pleasant afternoon wandering the vast gardens, with curated views from every direction featuring water fountains and water tributaries connecting the multi-tiered parterre gardens, all overlooking the city.  

Alhambra delicate column

Alhambra Garden

Bye to Spain and Heading to London

Posted
AuthorTheresa Casey

January 14, 2015

The stage of the design process when I select the bathroom fixtures sets a marker for the style direction of a project.  It is a key element that in my eyes can make or break a project.  If they are chosen well they will elevate a room and if they are not, they can lower the quality of the space.  

And, it is not always the high budget options that are my top choice.   It is about looking at the overall concept for the project and matching the fixtures with the design objectives, the users of the space and the atmosphere that I am trying to create.

I draw on my training in art history, fine art and design as my guide to know what selections will achieve the desired effect.  To select the fixture I analyze the scale, proportion, height, the finish and the ease of use.   

An example of my devotion to "getting it right" might be my choices from this master ensuite.  The house was built in the Deco style of the 30's and when it was purchased it included an awkward 1970's addition.  To  return it to the glamour and drama of the 30's I chose black marble and black painted glass as the main materials, and a caramel and black colour scheme. The element that set this off was unlacqured brass.  To my dismay I could not find anything that I thought was acceptable budget wise or style wise, except from a company that only produced  chrome fixtures.  When I inquired about the brass finish they indicated that they could not supply it but that the original finish under the chrome was brass (as are a lot of fixtures).  I decided to purchase the fixtures and have them de-plated.  It was a lot of extra work as they needed to be taken apart, de-plated, and then re-assembled, but for me I never doubted that it was the right decision butI don't recommend that you attempt this without a skilled qualified professional designer.  For me it was important to get it right.  A photo below shows you the finished bathroom.

The Ensuite with the brass faucet.

The Ensuite with the brass faucet.

For sourcing,  one of my favourite "go to" suppliers is Waterworks Studio. They have been in the business since 1925, and their expertise, service and innovation are why I keep going back.  A few years ago, the owner of Waterworks, Barbara Sallick, spoke to the Toronto design community  - I still remember the inspiring presentation at Ken Metrick's Gingers Bath Centre.  I felt a kinship with her passion for "getting it right" and seeing as I do that taking the time with every element in a design project (and especially the faucets) is well worth the effort.  

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The Waterworks website shows their diverse product range from faucets and fixtures to accessories and surface materials. With a variety of classic and modern designs, they have a product for any project I am working on.

Take a look at this onyx bespoke master ensuite I designed featuring Waterworks plumbing fixtures:

The faucets complement the custom walnut vanity and the 1920's&nbsp;glass sconces.&nbsp;(Photography by Ted Yarwood)

The faucets complement the custom walnut vanity and the 1920's glass sconces. (Photography by Ted Yarwood)

The&nbsp;Waterworks pewter tub and fixtures is the centrepiece of this bathroom. The pewter finish is a&nbsp;foil to set off the&nbsp;onyx walls and floors. One of my&nbsp;signature elements in my work is to&nbsp;add&nbsp;unexpected drama and warmth…

The Waterworks pewter tub and fixtures is the centrepiece of this bathroom. The pewter finish is a foil to set off the onyx walls and floors. One of my signature elements in my work is to add unexpected drama and warmth which here is achieved  with the full length silk curtains and the antique shell chair.   (Photography by Ted Yarwood) 

This Waterworks open sink pedestal&nbsp;&nbsp;gives our client's powder room &nbsp;character&nbsp;and&nbsp;the clean lines and &nbsp;white marble appeal to both the husband and the wife - so not too feminine or masculine but the perfect mix.&nbsp; (…

This Waterworks open sink pedestal  gives our client's powder room  character and the clean lines and  white marble appeal to both the husband and the wife - so not too feminine or masculine but the perfect mix.  (Photography by Ted Yarwood)

This Ensuite designed for a teenage boy is masculine but not boring - &nbsp;inspired by the British Raj, this ensuite has a "clubby" feel to it. &nbsp;The &nbsp;key elements are the patterned green, custom floor tiles and coordinating marble top, th…

This Ensuite designed for a teenage boy is masculine but not boring -  inspired by the British Raj, this ensuite has a "clubby" feel to it.  The  key elements are the patterned green, custom floor tiles and coordinating marble top, the textured cane vanity, the Waterworks Astoria  Faucet and another one of my signatures - a pair of vintage sconces.  The result:  a bathroom that has no age limits!

In keeping with my philosophy of matching the design to the &nbsp;person, this Ensuite design for my client's daughter&nbsp;was developed to appeal to her "girly" personality and her interest in fashion. &nbsp;The pretty pink marble top with the cle…

In keeping with my philosophy of matching the design to the  person, this Ensuite design for my client's daughter was developed to appeal to her "girly" personality and her interest in fashion.  The pretty pink marble top with the clean,  white vanity is surrounded by floor to ceiling mirrors that hide storage for her make-up and accessories.  Any girl no matter what age would love this!

Another wonderful Waterworks product; the Julia Wall Mounted Faucet,&nbsp;which fits perfectly with this vintage washstand that I retrofitted with new brass legs and the floating sink.

Another wonderful Waterworks product; the Julia Wall Mounted Faucet, which fits perfectly with this vintage washstand that I retrofitted with new brass legs and the floating sink.

Posted
AuthorTheresa Casey
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October 1st, 2014

We love using colour in the spaces we design for our clients. It can be an inexpensive way to add some character and personality into a room. Blue has always been a colour that some love and others avoid. It is often difficult to pick a blue hue that won't tire over time. Indigo is one of those hues that we use time and time again - it is sophisticated yet striking, bold yet calming. Take a look at some applications of indigo blue in the following images - it is truly an inspiring and timeless colour!

A light Chinoiserie mural stands out against the indigo wall - we love how the brass accents add a level of drama and luxury in this space. We want it in our own home.

!  (La Dolce Vita).

The varying textures in the indigo millwork, sofa and pillows make this space feel layered and dramatic. We love pairing indigo with natural woods - it is a match made in heaven! (Casey Design / Planning Group Inc. - photograph by Ted Yarwood)

The indigo pinstriped wallpaper is a foil for this antique cabinet-turned-vanity for this powder room. It pairs beautifully with the custom designed mosaic floor - so rich and lively.  (Casey Design/Planning Group Inc. - Photos by Ted Yarwood).

Two statement pieces I love! A sling chair and indigo armoire work hand in hand in this sophisticated living room space (Tumblr).

Blue, blue and more blue. We love how varying tones of blue work together to create a harmonious yet interesting space.  (Design Milk).

The rich hues of the indigo walls and the hand-carved, white oak mantle creates a foyer that looks like its been here for a hundred years. One of our favourite historical renovation projects.

(Casey Design/Planning Group Inc. - Photos by Ted Yarwood).

We love the subtle touches of indigo in this neutral kitchen. It beautifully complements the natural wood tones in the space.  (Remodelista).

What is more bold than a velvet indigo sofa? We love how playful this room is with the bright penguin books and accessories. (Casey Design/Planning Group Inc. - Photos by Ted Yarwood).

This indigo sofa contrasts wonderfully against the red brick backdrop - inviting and rustic.  (Veronica Love Archie).


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AuthorTheresa Casey